It's always a matter of personal taste when it comes to superlatives, but a lot of people seem to agree that this is the best epistolary novel ever written. For my part, I haven't read one to top it. Do you think this novel, which is also talked about as the first important and "mature" psychological novel, could have been as interesting written in a non-epistolary form?
What do you think the letters added to it?
For me, the biggest problem would seem to be personalizing each character. I wonder if that could be done as effectively without using personal letters as the device. Then there would be the problem of narrative point of view. And, perhaps most importantly, "moral" point of view; as it is, the collection of letters — a "found" story, as it were — tends to distance the "editor" from the action in a way that another kind of narrator would not be.
Jane Austen, the mother of the modern novel, began "Sense and Sensibility" a couple of decades later as an epistolary work, but abandoned that form in favor of a straightforward narrative and the more modern style that came to be identified with her.
Any thoughts on this and the choices/sacrifices/advantages involved?
(I thought the Close/Malkovich movie did a really fantastic job translating letters into scenes, particulary the chateau scene between the marquise and Cecile and the "war" scene between the marquise and Valmont).
Wednesday, July 18, 2007
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6 comments:
I am not a fan of epistolary novels (I hate Richardson), but this one really is great. It would have been a totally different read in a standard narrative form.
I think the movie proves that the story could have been told in standard form. I'm not sure what, if anything, it would have lost or gained.
One element it lends to the storytelling is how seriously letters were regarded as an art form in the story's period. Characters wrote tomes intended to seduce, flatter or outwit their recipients. Valmont and the marquise took a lot of pride in their lengthy exchanges, and they often were very sensual. I love the idea of seduction via pen, the time and thought put into each missive.
Erin's May 15 post on her blog about letter writing has stuck with me, so maybe that's why this was my first thought about the epistilary form.
Wouldn't it be fun to exchange letters via mail? I like the idea of finding a gaggle of chummy letters in my mailbox, taking them inside, then sitting down to open them with a cup of tea.
Epistolary! Sorry.
The marquise would snub me for weeks for that slip-up.
Yes, good point, cl, letters were an art form. Doing one's "Correspondence" was a big part of the day. (And wit was valued nowhere more than in the French aristocracy of the Ancien Regime ... have you ever seen the movie "Ridicule"?).
I love the scenes in the movie where a letter would be brought in on a silver tray. The movie actually paid a fair bit of homage to the written word and the fact that the novel was made up of letters (which were the focal point of several scenes, including the delicious body-as-escritoire scene).
For me, the chief merit of the epistolary form was getting the first-person accounts of the marquise and Valmont — hearing their voices. Their facility with self-expression, especially their gift of persuasion, was integral to the plot.
Cecile tells the marquise at some point that it's hard to resist Valmont because he has such a way with words — he convincingly makes wrong seem right and vice versa. I think readers are also seduced by this mastery of language and end up having a lot of sympathy for the villains on its account. Clearly, if the marquise and Valmont were merely mean-spirited and conniving, without their flashes of charm and brilliance, we would find them simply corrupt and uninteresting. (I wonder whether their charms, not the sex, are the real reason for the book having been banned for so long.
Richardson's "Pamela" (the first epistolary novel) and "Clarissa" are the only others I've ever read, and I do prefer "Liaisons." It has a lot in common with "Clarissa," but I think it improves upon it. The inclusion of the female villain adds tremendously to the story.
I think the letters really give us insight into the characters' thoughts and motivations. The movie did a really good job of getting into Valmont's and Merteuil's heads. Not as much with the other characters, though.
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